I dig The Sword. I never really understood the cries of "sell-outs" and "posers" from their detractors. These Austin, Texas hombres dig the riff and play it for the world.
Ooh! I like this cover version, much better than the proper one.
Over the years the frequency of solos has increased and the mesh between vocals and guitar melodies has thickened.
I would go so far as to say in a currently Pepper Keenan-less Corrosion of Conformity world, The Sword are about the closest we get to fully formed songs with rad riffs, harmonised leads, boogie and slightly melancholic vocals through a Black Sabbath filter.
On Apocryphon, the lads pull out all stops including some thematic updates connecting them with the real world and some analog synth blasting them off of it.
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