Lost in the wheels of confusion
Running through furnace of tears
Eyes full of angered illusion
Hiding in everyday fears
Running through furnace of tears
Eyes full of angered illusion
Hiding in everyday fears
- Black Sabbath, Wheels of Confusion, 1972
People, whether performers or spectators
often get lost in music. Christians may indeed claim to be found in it. Musical
loss, I feel, is equally to do with memory as it is with non-linguistic
expression and cognition. Like the scent of wisteria among the early heat and
buzz of bees at the start of northern summer - melodic, rhythmic and harmonic
expressions transport us through time, mood and cognition – sometimes in ways
we cannot expect.
Last night I played Black Sabbath’s Vol 4 for the first time in months. I
felt my body move, my head nod and a certain almost religious departure from my
day as I was transported to the alternate realities of Snowblind, Wheels of
Confusion and Supernaut. Undoubtedly there is something holy about the Sabbath.
I do not mean in a super-fan, hagiographic way but rather there is sentiment,
ritual and tradition embedded in Sabbath that is evoked even in the present by
today’s doom bands like Electric Wizard, Church of Misery,
Ramesses, Ufomammut and Yob.
But what is doom? To ask is akin to beg the
same of jazz or the blues. You are likely to get answers such as: “if you have
to ask…” or with apologies to Fats Weller: “If you don’t know by now, don’t mess with it”. This is not to be
neither needlessly opaque nor a descent into the vagueness of “meaning
differently for each person”. The point is that even while doom has recognizable
musicological elements and frequently utilizes a range of identifiable lyrical
themes there also remain less readily definable aspects which can be generally
grouped as being “felt”.
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